Edgar Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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Edgar Degas After bath oil painting


After bath
mk206 1895-1900 Oil on canvas 76.2x82.8cm
Painting ID::  49984 		Edgar Degas
After bath
mk206 1895-1900 Oil on canvas 76.2x82.8cm
   
   
     
Edgar Degas take a bath in the morning oil painting


take a bath in the morning
mk206 about 1895 Oil on canvas 66.8x45cm
Painting ID::  49985 		Edgar Degas
take a bath in the morning
mk206 about 1895 Oil on canvas 66.8x45cm
   
   
     
Edgar Degas The breakfast after bath oil painting


The breakfast after bath
mk206 1895 Oil on paper 121x92cm
Painting ID::  49986 		Edgar Degas
The breakfast after bath
mk206 1895 Oil on paper 121x92cm
   
   
     
Edgar Degas Lady toweling off her body after bath oil painting


Lady toweling off her body after bath
mk206 1896 Oil on canvas 89x116cm
Painting ID::  49987 		Edgar Degas
Lady toweling off her body after bath
mk206 1896 Oil on canvas 89x116cm
   
   
     
Edgar Degas ballerina wear green dress oil painting


ballerina wear green dress
mk206 1897-1901 oil on canvas 73.5x61cm
Painting ID::  49988 		Edgar Degas
ballerina wear green dress
mk206 1897-1901 oil on canvas 73.5x61cm
   
   
     
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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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